Position Announcement: Early Materials Cataloger, Beinecke Rare Book & Manuscript Library, Yale University

Position: Early Materials Cataloger
Department: Beinecke Rare Book & Manuscript Library
STARS Requisition: 64643BR
Minimum salary: $60,500

Yale University, conveniently located between Boston and New York, offers exciting opportunities for achievement and growth in New Haven, Connecticut. Located in the heart of historic downtown New Haven with more than 100 local boutiques, national retailers, cafés, casual eateries, award-winning restaurants, and world-renowned theaters, galleries, and museums.

General Purpose: 

Reporting to the Head of the Rare Book Cataloging Unit, the Early Materials Cataloger creates, enhances, and maintains original and complex bibliographic and authority records for manuscript items and printed works, chiefly from the medieval through the early modern periods, in the fields of British and European literature, history, and the humanities. Plans, directs, and reviews work of cataloging assistants and student assistants. Assists in the ongoing development of the unit’s cataloging procedures for related collections. Completes special projects as assigned. Contributes to Yale University Library and University-wide initiatives and is expected to be active professionally.

This position represents an exciting opportunity for a scholar-librarian to work at the intersection of early materials cataloging and scholarship. We seek applicants interested in the politics of metadata, the materiality of the textual object, trends in forensic analysis, and the broader questions relating the creation, survival, transmission, ownership, description and use of special collections to their understanding within scholarship, the classroom, and the public spheres of the humanities. Applicants that meet the minimum education/experience qualifications are encouraged to apply. The successful applicant will receive intensive on-the-job training in manuscript and print cataloging and paleography if needed, according to the protocols of the department and library.

The Rare Book Cataloging Unit, part of the Beinecke Rare Book and Manuscript Library’s Technical Services Department, is responsible for cataloging material principally ranging from incunabula to twenty-first century publications.

The Beinecke Library is Yale’s principal repository for literary archives, early manuscripts, and rare books. One of the great collections in North America, the Beinecke collections are internationally known and heavily used by scholars from around the world. For further information about the Beinecke Library, consult the library’s web site at: http://beinecke.library.yale.edu/.

This position will be assigned a rank of Librarian 1 to Librarian 3. Librarian ranking information can be found at http://bit.ly/YULRanksPromotions. The minimum salary is $60,500.

Required Education and Experience: 

1. Master’s degree from an American Library Association accredited library school. In selective cases a graduate degree in a related subject field may be substituted. 2. Demonstrated knowledge of current national cataloging/metadata content and structural standards. Knowledge of subject analysis and classification systems. 3. If supervision of professional and/or support staff is a principal responsibility, supervisory experience is required. 4. Experience designing projects and bringing them to conclusion in a timely fashion. 5. Demonstrated excellent oral, written, and interpersonal communications; analytical ability; accuracy and attention to detail. 6. Ability to initiate and adapt to change. 7. Experience working collegially and cooperatively within and across organizations. 8. Experience working collaboratively and independently with varied groups within a complex organization and rapidly changing, team environment.

Qualifications:

  • Strong knowledge of medieval and early modern European literature or history, and broad knowledge in the humanities, as demonstrated through academic degrees or an equivalent combination of training or experience.
  • Advanced reading knowledge of Latin, including neo-Latin and Latin abbreviations.
  • Good knowledge of Latin and English paleography, and broad knowledge of medieval European paleography 1100-1600, including both book and document scripts.
  • Good reading ability in Middle English and/or Middle French, in addition to Italian, French, German or another European vernacular.
  • Preferred Education and Experience: MA or PhD in European history or literature specializing in a field relating to pre-1800 British and European collections. Demonstrated knowledge of the material culture of medieval and early modern books. Good reading knowledge of paleography for a European language beyond Latin and English. Experience creating MARC records. Cataloging experience using DCRM, AMREMM, DACS, AACR2, and/or RDA.

Application: For more information and immediate consideration, please apply online at https://bit.ly/YaleCareers-64643BR. Please be sure to reference this website when applying for this position.

We invite you to discover the excitement, diversity, rewards and excellence of a career at Yale University. One of the country’s great workplaces, Yale University offers exciting opportunities for meaningful accomplishment and true growth. Our benefits package is among the best anywhere, with a wide variety of insurance choices, liberal paid time off, fantastic family and educational benefits, a variety of retirement benefits, extensive recreational facilities, and much more.

Yale University considers applicants for employment without regard to and does not discriminate on the basis of an individual’s sex, race, color, religion, age, disability, status as a veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression.

OR

AA/EEO – M/F/Disability/Veteran

https://your.yale.edu/careers

Audrey Pearson

Acting Head, Rare Book Cataloging Unit
Yale University Beinecke Rare Book & Manuscript Library
P.O. Box 208330
New Haven, CT 06520-8330
203-432-1702
audrey.pearson@yale.edu

Of Possible Interest to WRBG Members & Friends

On March 7, 2021, WRBG member Rick Black discussed the making and contents of his artist book, The Amichai Windows, with Professor Rendsburg of Rutgers University.
(The recording of this event is linked at the end of this post)

Black 05TheAmichaiWindows YomKippur

The Amichai Windows pays homage to Israeli poet Yehuda Amichai (1924–2000). Rick Black will unwrap the artist book, revealing its exquisite sculptural design, as well as discuss his personal encounters with Amichai and share the beautifully illuminated poems.

Yehuda Amichai, one of the great modern Hebrew poets, wrote about love, war, Jewish life in the twentieth century, and the modern Israeli landscape. Award-winning book artist and poet Rick Black has created an exquisite limited edition artist book featuring eighteen of Amichai’s poems. Presented both in Hebrew and English translation, each poem is wrapped and folded in an individual, handmade paper triptych and collected in an enclosure resembling a Jerusalem window. Opening each triptych is a discovery of the unique world of the poem. The work incorporates replicas of some of Amichai’s original, handwritten poems as well as collaged images of Jewish history and life that were culled from archives around the world.

Black worked with Rutgers Jewish studies professors Gary A. Rendsburg and Azzan Yadin-Israel, to translate Amichai’s poems from the original Hebrew into English. Black began the ten-year project in 2007, seven years after Amichai’s death, with the support of Hana Amichai, the poet’s widow. The artist book was issued in a limited edition of eighteen copies. Both the Library of Congress and the U.S. Holocaust Memorial Museum purchased the book for their permanent collections.

Read more about the roles of professors Rendsburg and Yadin-Israel in the project here. For more about the Amichai Windows project, visit amichaiwindows.com.

Link to recorded zoom event.

Intimate Hand Work: WRBG Member Beth Curren at The Studio Gallery

From The Studio Gallery’s website:

On March 17, 2020, most of us were anticipating a day in which there would be a nod to the Irish St. Patrick, an excuse to wear something green, and looking forward to the start of Spring. For some of us, the cancellation of that night’s dinner reservation was a metaphor of what was to come in the next 48 hours:  the abrupt shut-down and closing of all but essential services; a sheltering in place against an invisible enemy; a confusing confluence of restrictions and mis-directions; and the growing realization that day-to-day life, as we knew it, had changed, utterly. The coronavirus shifted everyone’s priorities.  As the numbers of cases and deaths spiraled upwards, artists everywhere faced the mounting pressures of isolation, loss of access to tools and materials, the interruption of our work and our expectations. All of this, often, was in direct conflict with the changing responsibilities for our relatives and neighbors.  

This exhibit of work, most of which was completed within the last fourteen months, reflects our individual responses to our personal situations, to the stresses in our lives, to the catastrophe that is this pandemic, to the social unrest and political strife.  The artworks are intricate, incorporating the intimate hand work and careful detail that has helped each of us to find serenity and harness our strengths.  The work has brought us together as artists, as women, as friends and as members of our community.

Please check out the website, or call to schedule a visit to the gallery.

Of Possible Interest to WRBG Members and Friends!

“Resistance in the Materials”: a Gathering of Printers Pressing for Change
Thursday Feb. 25 and Friday Feb. 26, 2021

Co-sponsored by Santa Clara University’s Center for Arts and Humanities and the University of Maryland’s BookLab and Center for Literary and Comparative Studies, “Resistance in the Materials” is a bicoastal event that will center BIPOC artists, scholars, and interventionists (and allies) and celebrate “printing” (broadly construed across many media) as an accessible form of activism capable of leaving its own unique impressions in diverse communities.

This two-day program begins with a plenary panel featuring Lillian-Yvonne Bertram and Jonathan Senchyne on Thursday February 25th at 12pm PT/3pm ET. On Friday, February 26th at 12pm PT/3pm ET, there will be a roundtable of four print artists including Victoria Law, Sarah Matthews, Amy Suo Wu, and Rio Yanez. Harkening to the immediacy and impact of mail art, our participants have exchanged a “print” with each other as an anchor point for collaborative reflection and discussion of the possibilities of printing as political action.

In addition to our main programming, all registrants will receive an invitation to a pop-up print mixer following our roundtable. This casual virtual event is a great opportunity to share your current print project with participants and reflect on the symposium.

Please go here to Register with EventBrite (links in right hand column):

https://english.umd.edu/events/resistance-materials-gathering-printers-pressing-change


Program

Thurs Feb. 25 @ 3pm/12pm (EST/PST)  
Plenary Session featuring talks by Lillian-Yvonne Bertram and Jonathan Senchyne (90 min. with q&a)

Lillian Yvonne Bertram: “Rich Light is in the Riot: Programming Gwendolyn Brooks for Page & Screen”

Jonathan Senchyne: “Wisconsin Ideas”

Fri Feb. 26 @ 3pm/12pm (EST/PST)
Print Exchange Roundtable with Victoria Law, Sarah Matthews, Amy Suo Wu, Rio Yañez (90 min. with q&a)

Fri Feb. 26 @ 4:30pm/1:30pm (EST/PST)
Pop-Up Print Mixer with audience participation and print sharing, BYOB. (Approx. 1 hr.); link will be distributed to attendees at other two events.


Participant Bios

Lillian-Yvonne Bertram

Lillian-Yvonne Bertram is Associate Professor and Director of the MFA in Creative Writing at UMass Boston, and Director of the Chautauqua Writers’ Festival. They consider themself primarily a poet, publishing traditionally and digitally, with a focus on computational and digital poetics. Some of their work can be seen at www.lillianyvonnebertram.com. Their most recent book is Travesty Generator (Noemi Press, 2019).

Victoria Law

Victoria Law is a freelance journalist and author who covers issues of incarceration, particularly women’s incarceration and resistance. She is also the editor/publisher of a zine called Tenacious: Art & Writings By Women in Prison, which started in 2002, and the co-founder of Books Through Bars–NYC, an all-volunteer group that sends free books to people in prison nationwide.

Sarah Matthews

Sarah Matthews is a printmaker and book artist. Her work has been exhibited in the US and is a part of the permanent collections of Yale’s Beinecke Rare Book and Manuscript Library, George Washington University’s Gelman Library, University of Puget Sound, and Samford University. She is also a YouTuber and a foam stamp designer for ArtFoamies.com.

Jonathan Senchyne

Dr Senchyne is the Director of the Center for the History of Print and Digital Culture at the University of Wisconsin-Madison where he is an Associate Professor of Book History and Print Culture in the Information School. Dr. Senchyne has been a National Endowment for the Humanities Fellow at the American Antiquarian Society and was the Pine Tree Foundation Distinguished Visiting Fellow in the Future of the Book in a Digital Age at the Graduate Center of the City University of New York. His most recent book is The Intimacy of Paper in Early and Nineteenth-Century American Literature (University of Massachusetts Press, 2020).  http://www.jsench.org/  
Amy Suo Wu

Amy Suo Wu was born in China, grew up in Australia, and lives in The Netherlands as an artist, designer and teacher. Since 2015, she has engaged in steganographic practices such as hiding techniques, evasion tactics, and covert communication as acts of protection, survival and resistance in the face of oppression and violence. This research is now published under the title ‘A Cookbook of Invisible Writing’ through Onomatopee (2019). Her most recent interest and practice circles around literal and metaphorical approaches of mending, design as remittance and self-fulfilling prophecy and how text and textile might be woven together to form embodied publishing.

Rio Yañez

Rio Yañez is a Chicano artist and curator born and currently based in San Francisco, California. As a printmaker he is a member of The Great Tortilla Conspiracy, a tortilla art collective, which prints artwork and political graphics on tortillas at art events, political actions, and protests. By using a formula of edible silkscreen inks, The Great Tortilla Conspiracy are able to put their art on tortillas, make them into food (like quesadillas), and distribute them as art that feeds people. Their philosophy is that art is at its most subversive when it is impermanent and feeds people. They typically present themselves as chefs and scientists when they create their work.


Matthew Kirschenbaum
Professor of English and Digital Studies
Director, Graduate Certificate in Digital Studies
Printer’s Devil, BookLab
University of Maryland
mgk@umd.edu

Opportunities Available at Thornwillow

[from EXLIBRIS]

Thornwillow is a printer and publisher of handmade limited edition books. We do all of the editorial, design, printing and binding at the press in Newburgh, New York. We’ve been at it for 35 years.

We are committed to teaching and perpetuating the related arts and crafts of the written word. We are looking to hire two full time people to join our team at the press. Enthusiastic entry level applicants are welcome to apply.

Letterpress Printer – We are looking for a full time person to join our press room team. Most of our books are printed on a Heidelberg flatbed cylinder press, but we also have Vandercooks, C+Ps and engraving presses that we run every day. Experience would be nice, but is not necessary. We are prepared and happy to teach. First and foremost we are looking for enthusiasm and commitment to learning a craft we love. Being mechanically minded and enjoying working with machines is important.

Book Binder – We are looking for a full time and part time person to join our bindery. In the bindery we do every aspect of fine bookbinding in house from folding and sewing to making paper, cloth, and gold tooled leather bindings. We also make the clamshell boxes, marble and decorative paste paper in house. Experience is not necessary, as we like to train enthusiastic people and pass on the craft.  We are looking for someone with enthusiasm, the ability to work with their hands, patience and determination, and a love of books. In the bindery we are also able to entertain applicants for part time positions.

Please contact: opportunities@thornwillow.com

Position Announcement

LORNE BAIR RARE BOOKS, ABAA

Lorne Bair Rare Books invites applications for the the position of full-time cataloguer/bookseller at our offices in Winchester, Virginia. Starting base salary, based on qualifications and experience, is in the range of $35,000 to $45,000 per year, with substantial additional compensation in the form of commissions, profit-sharing, and performance bonuses. 

Qualified applicants will have a minimum of three years direct experience in antiquarian bookselling, with demonstrable proficiencies in the areas of rare book cataloguing (especially English and Continental printed books from the 16th century onward); bibliographical research; direct sales, and book buying. This position requires exceptional writing and communication skills. Applicants possessing first-hand acquaintance with British and European markets and institutions will be favored. Overseas travel will be an occasional job requirement. 

Lorne Bair Rare Books, established in 1996, is a member of the Antiquarian Booksellers’ Association of America  (ABAA). We are a leading American dealer in the areas of Social History, Radical Thought, Economics, and Modern Literature. As a business we are devoted to the ideals of economic, racial, and gender equity, and we emphatically commit to equal consideration of applicants from all cultural backgrounds. Through structured profit-sharing, a generous commission structure, and organizational transparency, we have strived to build a culture of sustained growth that benefits company and employees equally. 

Winchester, Virginia is a small city (population 25,000) at the northern end of the Shenandoah Valley, about 90 miles west of Washington, D.C. Cost of living is low to moderate, rated at 101.8 on the BestPlaces.com COL index. The region is renowned for its scenic beauty and rich history; school and health systems are highly rated, and cultural opportunities are above average for American cities of comparable size. 

Applicants should submit resumé and cover letter by post to Lorne Bair Rare Books, 661 Millwood Avenue, Ste 206, Winchester, VA 22601; or via email at info@lornebair.com

All applicants will receive a reply; finalists will be invited for interviews (either virtual or live, depending upon COVID developments) beginning in early February, 2021.

Call for Papers: Gender & the Book Trades

We are delighted to announce the reopening of our call for papers for the annual St Andrews Book Conference, now scheduled for 16-19 June 2021. Given the possibility of continuing global restrictions on travel, we have decided that the conference will go ahead on the dates specified but in a fully virtual format. For more information on our virtual conference including format, pre-circulation of papers and resulting publication of the conference proceedings, please see our extended call for papers on our website: ustc.ac.uk/conference.

Gender and the Book Trades
St Andrews Book Conference
16-19 June

Gender has always played a role in the history of the book. Whether explicitly acknowledged or implicitly assumed, considerations of gender have shaped the printed book and its subsequent study. Important research has drawn attention to women’s work in the manuscript and printed book trades across and beyond Europe. Work which tackles questions of masculinity and the book trades, meanwhile, remains conspicuously scarce, even as male subjects remain the default for many bibliographers. 

This conference seeks to discuss possible frameworks for analyzing the critical relationship between gender and book history while confronting the binaries that have structured the historiography. It will bring together academics, librarians, archivists and antiquarian booksellers working across periods to build a more inclusive bibliography and explore new directions in the study of gender and the history of the book. 

Topics may include, but need not be limited to: 
☞ The gender of books 
☞ Theory and practice of feminist/inclusive bibliography 
☞ Constructions of masculinity and the book trades 
☞ Gender nonconformity 
☞ Intersections of gender and confessional identity 
☞ Sexuality/ies and the book 
☞ The influence of family dynamics on the book trade 
☞ Women and book production, especially beyond Western Europe and North America 
☞ Communities and identity 
☞ New methodologies for the study of gender in the book trades 

Please send proposals (maximum 300 words) and a short biographical note to Elise Watson (egw2@st-andrews.ac.uk), Jessica Farrell-Jobst (jjfj@st-andrews.ac.uk) and Nora Epstein (njne@st-andrews.ac.uk) by 31 January 2021. Those who have already had their papers accepted will be contacted separately and need not respond to this additional call. We look forward to hearing from you!

Of Possible Interest to WRBG Members: Antiracist Bookwork

About this Event

Tuesday, 1 December 2020
12:30-1:30 PM EST on Zoom
Register Here

Antiracist Bookwork

Sponsored by UMD’s BookLab

Hosted by BookLab, book artist and printer Tia Blassingame (Scripps College and Primrose Press), will be in conversation with Curtis Small, Jr. (Coordinator of Public Services for Special Collections at the University of Delaware).

The University of Maryland Center for Literary and Comparative Studies is sponsoring a year-long linked series of events, “Antiracism: Research • Teaching • Public Engagement,” that support and act upon the statements of solidarity for Black Lives Matter issued by the Department, College, and University. We also convene this series to honor and highlight the longstanding commitment among many English Department faculty and students to antiracist scholarship and teaching.

Drawing upon the flexibility of the virtual environment—all of our programming in AY 20-21 will be virtual—we are committed to supporting the work of emerging, early-, and mid-career scholars and teachers, with a particular emphasis on welcoming BIPOC and BAME scholars and teachers in the US and abroad. We envisage that these events will draw audiences from the University of Maryland and beyond. Our intention is to contribute to the development of antiracist scholarship and pedagogy, and to offer public engagement with our various communities beyond campus in the service of promoting antiracism in all its forms. We are also committed to making these events accessible.

The Antiracism series is co-sponsored by the University Libraries and the Graduate School’s Office of Graduate Diversity and Inclusion.

For more information about the series, including upcoming events, please visit our site.

#antiracismUMD
#CLCS_UMD
@UMDEnglish

Bios:

Tia Blassingame is a book artist and printmaker exploring the intersection of race, history, and perception. Utilizing printmaking and book arts techniques, she renders racially-charged images and histories for a nuanced discussion on issues of race and racism. Blassingame holds a B.A. in Architecture from Princeton University, M.A. in Book Arts from Corcoran College of Art + Design, and M.F.A. in Printmaking from Rhode Island School of Design. She has been a teaching artist at the National Building Museum, Smithsonian Institution, Glen Echo, Pyramid Atlantic, and University of Maryland at College Park.

Curtis Small, Jr. is the Coordinator of Public Services for Special Collections at the University of Delaware. Small oversees the Special Collections’ exhibition program, instruction activities, and reference services. He regularly curates exhibitions and is a member of the project team for the Colored Conventions Project, an award winning Digital Humanities project that documents the largest African American advocacy movement of the nineteenth century.

Live captioning is available.

The Zoom link will be sent to registrants approximately 24 hours in advance of the event.

Contact clcs@umd.edu with questions, concerns, or registration issues. Please also note that some university email filters send EventBrite reminders directly to spam folders.

Lewis Carroll Society of North America, Virtual Event!

LCSNA Fall 2020 Virtual Meeting

October 10, 2020, 12:00 pm – 4:45 pm

The Hatter was the first to break the silence. ‘What day of the month is it?’ he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear.
Alice considered a little, and then said ‘The fourth.’
‘six days wrong!’ sighed the Arnold Hirshon.


The LCSNA Fall Meeting is Saturday, October 10, 2020, 12:00 – 4:45 PM, EASTERN DAYLIGHT TIME, USA.

Ordinarily, this part of our message is where our meeting host, Arnold Hirshon, Vice Provost and University Librarian at Case Western Reserve University, would provide information about Cleveland, Ohio and the Kelvin Smith Library of Case Western Reserve University. This year, we hold our meeting in the wonderland of alternative time and space online, through the internet, using Zoom.

Arnold Hirshon, the program host and most speakers have remained committed despite this third change in time for the meeting.

Washington Rare Book Group’s own August Imholtz will be one of the speakers, with an illustrated talk on the Appleton Alice.

Case Western Reserve University is providing support with the technology, meeting recording, and registration. The LCSNA thanks them all.

As in Alice’s Wonderland, I expect we will meet new characters that are not ordinarily able to attend our in-person meetings. Lewis Carroll might mark this memorable day, in this unusual year, with a white stone. The Society welcomes all of you. Although the meeting is free and open to the public, please register so we ensure there are enough virtual seats.

Further information and the full program are available at https://www.lewiscarroll.org/events/